Russian Other, American Other
Guests: Dina Fainberg and Victoria Zhuravleva on the history of Russian and American mutual perceptions.
Guests: Dina Fainberg and Victoria Zhuravleva on the history of Russian and American mutual perceptions.
Guest: Alison Rowley on Putin Kitsch in America published by McGill-Queen’s University Press.
Guests: Ekaterina Babintseva and Slava Gerovitch on cybernetics in the United States and Soviet Union.
Guest: Lee Farrow on Alexis in America: A Russian Grand Duke’s Tour, 1871-72 published by Louisiana State University Press.
Guests: Meredith Roman and Minkah Makalani on Black radicalism, the Comintern, and Soviet antiracism.
Partial transcript of my interview with Wilson Bell on his book Stalin’s Gulag at War: Forced Labor, Mass Death, and Soviet Victory in the Second World War.
Partial transcript of my interview with Sarah Cameron on the Kazakh famine.
Soviet historian Elena Osokina comments on two myths of Stalinist society in an interview in Republic.ru.
I wrote an article with Rafael Khachaturian on the American Left for the Russian journal Социология власти (Sociology of Power). You can download it here.
My thoughts on Keith Gessen’s “The Quiet Americans Behind the U.S.-Russia Imbroglio” as an opening salvo in the need to deconstruct the discourses of the “Russia Hand.”
I wrote a review of Alexander Etkind’s Roads Not Taken: An Intellectual Biography of William C. Bullitt and Michael McFaul’s From Cold War to Hot Peace: An American Ambassador in Putin’s Russia for Bookforum. Unfortunately, the review is behind the dreaded paywall. So here’s the pdf.
The following is the transcript of my interview with Claire Shaw for the podcast Deaf in the Soviet Union. The transcript has been edited for clarity. I thought we’d start by having you talk about the origins of your work on deafness in Russia. How did you come to...
Ilya Budraitskis breaks down the upcoming Russian Presidential Election. Originally posted on LeftEast.
Mikhail Zygar’s The Empire Must Die provides a narrative timeline for the Russian Revolution as an allegory for Russia’s present.